Andrew Reach in TANGENTS – Exhibition of Abstract and Geometric Art in NE Ohio at The Artists Archives of The Western Reserve in Cleveland Ohio

I’m proud that my husband Andrew Reach is in this exhibition of abstract and geometric art with a group of nine terrific artists (including Andrew) in NE Ohio; Gianna CommitoDavid Louis CintronMark HowardMark KefferCatherine LentiniNatalie LaneseEd Raffel, and Susan Squires

From the Artists Archives website:

Tangents: Abstract and geometric Art in Northeast Ohio continues on in this tradition by gathering together a collection of diverse and prolific NEO artists who are choosing to work in a nonrepresentational way. While their various works include forays into: Color, optical interplay, mathematics, space, surface, texture, process, and the built environment, all explore their individual pursuits in geometry and abstraction.

Curator Jennifer Omaitz writes,” The idea for this exhibition grew out of a call to action. In the wake of the COVID 19 Pandemic most regional artworks appeared to explore literal pictorial space in painting and sculpture. Questions circulated about who in the area is making design dominant, non-representational work? Why is making abstract work still important? And how can the process of being an abstract artist lead to greater manifestations of perception? This exhibition aims to excite a deeper interest in geometric art and abstraction in the area and inspire more artists to open up their studio practice… The process of making abstract art occupies a rare space. It combines ways of thinking and making that interact with the temporal; sometimes abstraction is minimal and simplified, sometimes optical, and sometimes part of a collaged or combined language. It slows down or abandons the use of literal shapes and forms, often including ad hoc arrangement and disparate elements to engage the viewer in a space where philosophical questions prevail. The work has the power to share the pictorial space of color and surface with sensuality, metaphor, and resonance.” 

Andrew writes about his work in the exhibition “I have two artworks in the exhibition; QUADRABAR I and PYRALUX IV. These pieces represent a new direction in my work, connecting my roots as an architect with my digital media practice by utilizing 3d modeling to create geometric abstraction. I call this process 3D Derivatives. The idea of an artist being derivative often has a negative connotation, as being imitative of another artist. But I’m using this word in a different context; that of something that is derived from a source, in this case the source being a 3d model. A 3d model can be viewed in many ways, orthographically and in perspective, from the top, bottom and sides, from different angles, rotated… etc. and a 3D model can be rendered with realistic shadows. These characteristics draw me into this process enabling me to expand on my geometric abstraction in ways not possible in 2D. Using the program Blender, I first create a 3d model, add color and study different camera views and lighting to cast shadows that emphasize the forms. I then export renderings to be printed on rigid substrates and cut them out on a router allowing the geometry to reveal its edges.”

uv inkjet on acrylic/composite aluminum cut out on cnc router
dimensions variable – 47.5″h x 45.5″w overall, edition of 3

Andrew writes, “QUADRABAR I is a visualization in perspective looking directly overhead of a structure of a grid of cubes intersected by bars. They shift up in down, undulating in a wave like formation assembling an implied geographic terrain. Infused with 14 colors plus black and white, it comes alive as an optical tapestry in a symphony of color.”

uv inkjet on acrylic/composite aluminum cut out on cnc router
dimensions variable – 47.5″ x 47.5″ overall, edition of 3

Andrew writes, “PYRALUX IV is a visualization in perspective looking directly overhead of a structure of 2 back to back square pyramids of stepped blocks color coded with primary colors plus white forming the platonic solid, the Octahedron. The stepped blocks along the edges of the octahedron are recessed, splitting the octahedron into 8 parts of which only 4 parts are visible in this view. The Octahedron’s vertices are color coded in black. A series of smaller blocks nest on the larger blocks increasing in size as they cascade down from the pinnacles.”

Andrew Reach was awarded the Ohio Arts Council’s Artists With Disabilities Access Program (ADAP) Grant for fiscal year 2024.

Andrew Reach’s HEX LAND II – Installation at Colliers International Offices in Cleveland

My husband, Andrew Reach and his wonderful playful artwork HEX LAND II, has been purchased by Colliers International for their new Cleveland office.

Colliers (NASDAQ, TSX: CIGI) is a leading diversified professional services and investment management company. With operations in 66 countries, our 18,000 enterprising professionals work collaboratively to provide expert real estate and investment advice to

The firm provides services to commercial real estate users, owners, investors and developers; they include consulting, corporate facilities, investment services, landlord and tenant representation, project management, urban planning, property and asset management, and valuation and advisory services.

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Gypsy – 1962 – Starring Natalie Wood, Rosalind Russell, Karl Malden – Hear The Songs, Everything’s Coming Up Roses Sung By Rosalind Russell & Let Me Entertain You Sung By Natalie Wood.

Please click the picture and it shall take you to the video


Gypsy is a 1962 American musical film produced and directed by Mervyn LeRoy. The screenplay by Leonard Spigelgass is based on the book of the 1959 stage musical Gypsy: A Musical Fable by Arthur Laurents, which was adapted from the 1957 autobiography Gypsy: A Memoir by Gypsy Rose Lee. Stephen Sondheim wrote the lyrics for songs composed by Jule Styne. Determined to make her beautiful, gifted daughter June a vaudeville headliner, willful, resourceful and domineering stage mother Rose Hovick will stop at nothing to achieve her goal. She drags June and her shy, awkward, and decidedly less-talented older sister Louise around the country in an effort to get them noticed, and with the help of agent Herbie Sommers, finally manages to secure a booking on the prestigious Orpheum Circuit. Years pass, and the girls no longer are young enough to pull off the childlike personae their mother insists they continue projecting. June rebels, and elopes with Gerry, one of the dancers who backs their act. When the other dancers discover this, they also leave, presuming the act is finished. Devastated by what she sees as betrayal, Rose pours all her energy into making a success of Louise, despite her obvious lack of skill as a performer. Not helping matters is the increasing popularity of sound films, which leads to a decline in the demand for stage entertainment. Herbie sticks with mother and daughter through their struggles, vainly hoping that Rose will one day quit show-business and settle down with him. With bookings scarce, they find themselves in Wichita, Kansas, where a third-rate burlesque house books their act in hopes of keeping the vice squad at bay. Rose appears to mature while at the burlesque house, deciding that this will be their last booking and suggesting that she and Herbie finally marry. However, when one of the strippers is arrested for shoplifting, Rose is unable to resist offering Louise as her replacement. Louise reluctantly agrees to go through with it, though it’s clear she’s only doing it to please her mother. This becomes the final straw for Herbie, as he is disgusted at the lengths Rose will go as a stage mother and realizes that she will never marry him. He offers her one chance to give him a reason to stay, and when she fails, he leaves her for good. At first, Louise’s voice is shaky and her moves tentative, but she gains confidence as audiences respond to her, eventually blossoming as an entertainer billed as Gypsy Rose Lee. Exasperated by her mother’s constant interference in both her life and wildly successful career, Louise finally confronts Rose and demands she leave her alone. Understanding that she has spent her life enslaved by a desperate need to be noticed and has driven everyone away, an angry, bitter, and bewildered Rose stumbles onstage at the deserted theatre and experiences an emotional breakdown. Realizing Louise witnessed this, Rose admits she tried to live vicariously through her and June, allowing her to reconcile with her daughter Cast Rosalind Russell as Rose Hovick Natalie Wood as Louise Hovick/Gypsy Rose Lee Karl Malden as Herbie Sommers Paul Wallace as Tulsa Morgan Brittany (billed as Suzanne Cupito) as Baby June Ann Jillian as Dainty June/June Havoc Diane Pace as Baby Louise

River Of No Return – 1954 Starring Marilyn Monroe, Robert Mitchum, Tommy Rettig, Rory Calhoun

Hope You Enjoy My Tribute To This Wonderful Film ,

Marilyn Monroe & Robert Mitchum – In River Of No Return

River of No Return is a 1954 American Western film directed by Otto Preminger and starring Robert Mitchum and Marilyn Monroe. The screenplay by Frank Fenton is based on a story by Louis Lantz, who borrowed his premise from the 1948 Italian film Bicycle Thieves.[4] The picture was shot on location in the Canadian Rockies in Technicolor and CinemaScope and released by 20th Century Fox. Directors Otto Preminger & Jean Negulesco

Music composed by Cyril J. Mockridge, Leigh Harline Distributed by: 20th Century Studios.

Set in the Northwestern United States in 1875, the film focuses on taciturn widower Matt Calder (Robert Mitchum), who has recently been released from prison after serving time for killing one man while defending another. He arrives in a boomtown tent city in search of his nine-year-old son Mark (Tommy Rettig), who was left in the care of dance hall singer Kay (Marilyn Monroe) after the man who brought him there, as Matt had arranged, abandoned him. Matt promises Mark, a virtual stranger to him, the two will enjoy a life of hunting, fishing and farming on their homestead. Kay’s fiance, gambler Harry Weston (Rory Calhoun), tells her they must go to Council City to file the deed on a gold mine he won in a poker game. They head downriver on a log raft, and when they encounter trouble in the rapids near the Calder farm, Matt and Mark rescue them. Harry offers to buy Matt’s rifle and horse so as to reach Council City by land. When Matt refuses, Harry knocks Matt unconscious and steals both horse and rifle.

Kay chooses to stay behind to take care of Matt and Mark, and the three are stranded in the wilderness. When hostile Indians attack the farm, the three are forced to escape down the river on Harry’s raft. That night they set up camp by the river, and Matt and Kay argue about the wisdom of pursuing Harry. Matt asks why Kay would choose to marry a man who had endangered a child, whereupon she reminds him that Harry never killed a man like Matt did. Mark overhears their discussion, and Matt is forced to reveal the truth about his past to his son, who is unable to comprehend why his father acted as he did. As the three continue their journey, Kay comes to appreciate Matt’s bravery and the tender way he cares for both her and Mark. Along the way, they are forced to deal with a series of trials and tribulations, including a mountain lion attack; gold prospectors Sam Benson and Dave Colby, who are after Harry for stealing their claim; and a second Indian war party. After a difficult ride through the worst of the rapids, the three arrive in Council City and confront Harry. Harry shoots at Matt, prompting Mark to shoot Harry in the back, using a rifle that he was inspecting in the general store. As a result, Mark comes to understand why his father had to shoot a man in a similar fashion so many years before. Afterwards, Kay finds a job at the local saloon. While she is singing there, Matt walks into the saloon and throws Kay over his shoulder to take her back to his farm along with Mark. She happily leaves with him. The final scene is Kay throwing her high heeled showgirl shoes from their buckboard into the street, a renunciation of her old life.

Click here to see my Photo Gallery of River Of No Return.


Robert Mitchum as Matt Calder

Marilyn Monroe as Kay Weston

Tommy Rettig as Mark Calder

Rory Calhoun as Harry Weston

Douglas Spencer as Sam Benson

Murvyn Vye as Dave Colby

Hank Mann as Townsman


Robert Mitchum & Marilyn Monroe

Click here to see my Photo Gallery of River Of No Return.