Baumwoll Archives

Maxie

 Film was made in 1985  It is directed by Paul Aaron and stars , Glenn Close, Patinkin, Valerie Curtin, Barnard Hughes and the one and only Ruth Gordon

When husband and wife Nick and Jan move into an old house in San Francisco , they uncover a message under layers of wallpaper left by a previous tenant. (“Maxie lived here! Read it and weep!”).

The daft landlady from upstairs is overwhelmed when she sees the message and tells them about a girl who lived there in the 1920s. Maxie was a brash young party girl who died in a car crash the morning before her big audition for a Hollywood studio. Her only movie legacy, mere minutes on film, is dug up by Nick who watches it with his wife.

Just after Jan goes to bed, Maxie’s ghost appears. She has never seen herself on film. She laments never having a shot at stardom and then vanishes. Nick can’t figure out if the house is really haunted or if he is hallucinating. He also has his hands full with Miss Scheffer, his boss, who has romantic designs on him.

Maxie eventually takes over Jan’s body, first to experience life, then to try out for a television commercial and ultimately to go to Hollywood for a movie audition she is offered after the commercial. Finally she can fulfill her destiny. Her misadventures mess up Jan’s and Nick’s lives, to the point that Jan is pursued by her boss, Bishop Campbell, who wants to exorcise her. Nick remains utterly fascinated by this woman, who looks exactly like the wife he still loves.

The following is an excerpt of the full text of the history of Warsaw from the 1906 Jewish Encyclopedia:

Capital of the Russo-Polish government of the same name, and former capital of the kingdom of Poland; situated on the left bank of the Vistula. According to Polish writers, the earliest settlement of Jews in Warsaw dates from the thirteenth century, and their influence at that time is indicated by a number of documents in Hebrew script preserved in the local archives. They at first resided on the Jewish street near the present Dunai street, whence they spread to other quarters of the city, acquiring houses and lands, possessing a cemetery, and owning a synagogue near St. John’s Church.

As in other cities, their growing influence awakened commercial and social antagonism among the citizens. The Christian merchants endeavored to rid themselves of their Jewish competitors by insisting on the strict application of the Magdeburg Law, and continued their propaganda with varying success until 1525, when Prince Janush of Mazovia issued a decree which forbade the Jews to reside in Warsaw or to pursue mercantile or industrial occupations in the city. This measure was not strictly enforced, however, for two years later Sigismund I. was obliged to issue a similar decree with an additional clause which debarred the Jews from residence even in the suburbs of Warsaw. This decree likewise proved ineffective, since the Jews who were driven from the city itself settled just beyond the walls,waiting for more favorable legislation which would permit them to return.

click here to read the full text from JewishEncyclopedia.com

Exterior of the Great Synagogue at Warsaw, Russia.(From a photograph.)

click here to see album 1 of male movie stars

click here to see album 2 of male movie stars

click here to see album 3 of male movie stars

click here to see album 4 of male movie stars

Thanks to a generous donation, I’m honored that the artwork titled “There’s No Place To Hide” by my partner Andrew Reach engages the environment of the new Angie Fowler Adolescent & Young Adult Cancer Institute at UH Rainbow Babies and Children’s Hospital in Cleveland. The design by Stanley Beamon & Sears is very innovative as is all of their work especially in healthcare. Instead of a large centrally located nurses station that many times is far from the patients they serve, smaller nurses stations, designed as alcoves are placed directly adjacent to patients. It is at one of these nurses stations that his artwork is placed. For this location, Tom Huck, curator of the art collection at University Hospitals, selected artworks from different artists to present to the donors. From this group, they chose “There’s No Place To Hide”.

From University Hospitals Website:

Angie Fowler Adolescent & Young Adult Cancer Institute: Bringing Treatment and Discovery to New Heights

“We believe the institute will become a magnet, attracting top clinicians and researchers. This will be a leading adolescent and young adult (AYA) treatment facility in the U.S. It will attract the attention of top caregivers, physicians and researchers who will be empowered by the common goal of better outcomes and greater cure rates for AYA cancer patients. Angie’s Institute will fill the very real need of helping young patients in treatment feel normal while they are fighting their illnesses.”

– Char and Chuck Fowler

Charlotte A. and Charles D. Fowler, and their daughters and sons-in-law, Chann Fowler-Spellman and Edward F. Spellman and Holley Fowler Martens and Robert F. Martens, made the Angie Fowler Adolescent & Young Adult Cancer Institute at University Hospitals Rainbow Babies & Children’s Hospital a reality through their $17 million gift. This is the largest known gift in support of adolescent and young adult, or AYA, cancer.The institute is named in memory of the Fowlers’ daughter, Angie, who died at age 14 after battling melanoma. While there have been many advancements in cancer care for adults and children, the survival rate for young adults and teenagers with cancer has seen little improvement over the past three decades. Although tragedy struck the Fowler family, they decided to create something positive from their loss.

This is the text on the wall label and also on the label is a thumbnail of the whimsy shown below:

The work ‘There’s No Place to Hide’ features one of my whimsies hidden in a grid of circles and undulating sweeps of color. My whimsies are creatures of my imagination, free of pain and unencumbered from gravity and able to move through the world without constriction. If you look at the work you might find the whimsy, but to help out, the whimsy hidden in it is shown below.

click here to explore more of Andrew Reach’s artwork