Andrew Reach Designs now by 4walls Specializes In Large Scale Digital Wall Murals in High Quality Wall Décor Products, Design & Manufacturing for Both Residential & Commercial Wallcovering Markets – Written by Brittany Mariel Hudak

CONNECT + INTERSECT: HOW ONE DESIGN COMPANY WORKS WITH CLEVELAND ARTISTS AND BRIDGES THE GAP BETWEEN ART AND DESIGN

written by Brittany Mariel Hudak

I’m excited and proud that my spouse, Andrew Reach was featured in an article written by Mariel Hudak, in the CAN Journal (Collective Arts Network) about the company she works in, 4walls, that specializes in large scale digital wall murals featuring artwork from Cleveland based artists,them among Kate Snow and Mark Thomas. an  others from all over. Brittany Mariel Hudak first saw Andrew’s work at at the Maria Neil Art Project, a gallery in the Waterloo Arts district in the Collinwood neighborhood in Cleveland. where he had a solo show and approached him to license a couple of his artworks for their Level4 Digital Wall Coverings. 

canjournal_winter2017_1screen shot from canjournal.org for article written by Mariel Hudak
CONNECT + INTERSECT: HOW ONE DESIGN COMPANY WORKS WITH CLEVELAND ARTISTS AND BRIDGES THE GAP BETWEEN ART AND DESIGN

excerpt from article:
“While the marriage of art and design certainly comes with challenges, it doesn’t have to be a  rocky relationship. The Cleveland-based wallcovering company, 4walls, regularly sources local art to use in designs for commercial contract wallcoverings. The company’s belief is that making use of local resources can be mutually beneficial.  Serving as a liaison between the artists and designers, I see both sides–and that great things can happen when these two fields intersect.”
CLICK HERE TO READ FULL ARTICLE

4walls Design # L50904 Quadrans – in Zest, ©Andrew Reach
 canjournal_winter2017_4walls_image-74walls Design # L50902 Quadrans – in Upbeat, ©Andrew Reach

canjournal_winter2017_4walls_image-8L50903 Quadrans – in Black and White, ©Andrew Reach

Andrew Reach’s art on CAN Journal (Collective Arts Network) 2016 Fall Edition Cover

I’m honored that the work “There’s No Place To Hide”, by my spouse Andrew Reach, is on the cover of the 2016 fall issue of the CAN Journal. It’s a detail of the larger work. It ties into an article about University Hospitals Art Collection and Trudy Weisenberger, a co-recipient with Joanne Cohen of the 2010 Cleveland Arts Prize for her work at UH. Weisenberger started the collection in 1987 and nurtured it until her retirement in 2011. Tom Huck took over the reigns and is continuing to enhance and expand the collection. Tom Huck chose this work to be in the Angie Fowler Adolescent & Young Adult Cancer Institute at UH Rainbow Babies and Children’s Hospital. Special Thanks to the Michael Gill, executive editor, writer and editor of the journal and also Brittany Hudak and Joanne for the cover design. The installation of this work was featured in CODA Magazine – Healing Art II issue, an online magazine of CODAworx.com, a portal for the collaboration of design and art featuring public art installations. Click here to read more and see the installation.

CanJournal_2016_Fall-IssueCover

CanJournal_2016_Fall-Issue_inside

Below are photos from the Fall Issue Launch Party at Canopy-Collective

CanJournal_2016_Fall-Issue_WilliamForester&BruceBaumwollfrom left: William E. Forester and myself (Bruce Baumwoll)
William Forester is an inspiration. He overcame a stroke that left him paralyzed and unable to speak and like me has become an artist.  Click here to read article on Cleveland.com

CanJournal_2016_Fall-Issue_Gregory&LynneBreitensteinAliberti&MichaelGillFrom left: Gregory Aliberti, Lynne Breitenstein Aliberti and Michael Gill, executive editor, writer and editor of the journal

14117691_10201919519145941_650849539125611364_nLori Corso Forester & William E. Forester

 

14053986_10201919600467974_2174348393200412551_nArtist Nico Pico Train

CanJournal_2016_Fall-Issue_BrittanyHudakCAN Writer Brittany Hudak

CanJournal_2016_Fall-Issue_ErikaDurham

Erika Durham, owner of Canopy-Collective

UHRainbowBabies_TheresNoPlaceToHide1_xInstallation of “There’s No Place To Hide” at  Angie Fowler Adolescent & Young Adult Cancer Institute at UH Rainbow Babies and Children’s Hospital. Click here to read more about the installation

Andrew Reach – Winner of 5th Showcase Round in Abstract Category – ArtSlant.com

My partner Andrew submitted his art in a competition, 5th round of ArtSlant’s Showcase Series.  He was a winner in the abstract category. I’m very proud of him.Winners in a showcase advance to a final round of judging for a chance to win the ArtSlant Prize.  Below is a screenshot of Artslant.com homepage. Andrew’s art is featured under the ArtSlant Prize Showcase Series on a rotating basis with the other winners of the showcase.

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ArtSlant.com Homepage Screenshot, June 25, 2016

ArtSlant_QuadratafluxIII_screenshot_ArtSlantPrize-Ribbon_06-25-2016_smallscreenshot of Quadrataflux III – 5th 2016 ArtSlant Prize Showcase Winner

ArtSlant_QuadratafluxIII_screenshot_ArtSlantPrize_06-25-2016_smallscreenshot of Andrew’s work “Quadrataflux III” on ArtSlant.com

My Family is almost part of “A Genealogical History of the Jews of Pinczow (Poland) in the 18th & 19th Centuries” by Prof. Heshel Teitelbaum

UPDATE (9/9/2016): Since this was first posted, I can now  say that Professor Heshel Teitlebaum, University of Ottawa, has confirmed that my family is now part of his research to be published in the near future. I look forward to all the discoveries that he and his team will publish. I have been sworned to secrecy until then. I feel so honored that my family will be remembered. Stay tuned.

Through research, I found the paper titled “A Genealogical History of the Jews of Pinczow (Poland) in the 18th & 19th Centuries” by Heshel Teitelbaum of the University of Ottawa. IIJG Announces Grant Awards
The International Institute for Jewish Genealogy in Jerusalem has announced that three of the proposals submitted to it have received awards. They include:

• “A Genealogical History of the Jews of Pinczow (Poland) in the 18th and 19th Centuries” awarded to Prof. Heshel Teitelbaum of Ottawa, Canada, for a study. Teitelbaum’s research presents a novel approach to creating extended family trees for the Jewish residents of an entire Polish town. Second, the process necessarily generates surnames for Jews otherwise known only by their patronyms. Third, this proposal introduces, for the first time, the concept of synthesizing group-trees for each of several classes (political leaders, rabbis and teachers, tradesmen, craftsmen, merchants etc.) and for examining the possibility of social mobility between these classes. Finally, the author will, for the first time, analyze the history of the scholarly class in Pinczow on a large scale and identify hitherto unknown family links between various rabbinic dynasties.
I am so honored that he has begun to help me find the lost parts of my family and my soul. Before 1821, the jews of Pinczow didn’t have surnames I beleive jews everywhere.. This was called the Patronomic Era. This system of surnames uses the name of a person’s father as that person’s surname. He is using a new methodology through research of each family to assign them surnames so that the data can complete each families tree. We are now back before last names. The year is 1765. I am so taken back at how things keep turning up. They want to be found. The Pressmans , Hakohens , Fogels , Baumwols,
Mr. Teitelbaum has been able to connect me with my second great cousin, My great great Aunt who was the sister of my great great grandfather, Sura Jenta baumwoll born 1847.

We only now must find the family going back. He feels that they were their. Now the fun begins.

Yochanan-Fogel_Pińczów-Poland-Cemetery-record_screenshot

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